Later in Vivien Leigh’s life, her good friend Noel Coward made a comment about how he didn’t understand why she kept taking film roles in which she played a desperate, sad woman who is left alone by her husband or lover, after all, she was still beautiful and undoubtedly talented as a screen actress. Watching a film like Anatole Litvak’s 1955 film The Deep Blue Sea (based on a play by Terence Rattigan), I can’t help but agree.
The plot of the film is quite simple (SPOILERS!): Hester Collier (Vivien Leigh), the wife of Sir William Collier, a prominent judge in London (Emlyn Williams), falls for a young ex-pilot named Freddie Page (Kenneth More). When Freddie decides he’s had enough of their relationship, Hester, unable to go back to her husband and a life of luxury despite the fact that he still loves her, decides she’s desolate enough to want to asphyxiate herself by turning the gas on in her flat. Did I mention Eric Portman is in this movie?! He is! He plays the “doctor” who ends up saving Hester from self-demise. Eric Portman was also in 49th Parallel with Laurence Olivier back in 1941, so color me excited to see him in another film.
After her big break in 1939’s epic Gone with the Wind, Vivien seemed condemned to a screen life of tragedy. In some ways this may have paralleled her personal life as she was a tragic figure herself, but what I’m curious to know is why these particular roles were chosen. After That Hamilton Woman in 1941 Vivien more or less broke her 7 year contract with Selznick International and then sort of freelanced for different studios when she felt like making a movie for the rest of her career. With two Oscars behind her, she could have had any parts she wanted. Perhaps she felt most “at home” playing these (for lack of a better word) “needy” women, and if that was the case it makes me sad because to me she seemed like a strong, brave woman; one with a fantastic personality and intelligence, and one who deserved better parts in better films.
The film overall recalled the British productions that she starred in in the 1930s: interesting but not of very high substance or quality. Vivien’s co-star, Kenneth More, didn’t have much respect for her, sadly, but then again he never reached the same heights of fame that she did.
On top of this they made an odd pair and it seemed more plausible that Hester would have returned to Sir William Collier who was posh and educated and classy just as she was. Perhaps, though, it was simply the fact that the story seemed rather shallow for such dark subject matter, which is a pity because I thought Vivien was very good in it–as she usually was in these types of roles. The Deep Blue Sea is interesting and worth watching for nothing other than the fact that it’s an extremely elusive film.
I would give it 3 out of 5 stars
*Note: This review comes from a total film snob, so please don’t take harsh but honest criticism as a sign that I don’t respect the people acting in said film.
































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